Romeo and Juliet at The Chicago Shakespeare Theater
Sitting at the gallery section of the theater. I look down and I say goodbye. Goodbye to the men in suits that would come wearing their best. The ones you imagine would have dry martinis and go to shoe shine shops. Goodbye to the lovely women in their pretty dresses and ironed skirts. Goodbye to the air of sophistication I used to smell every time I was at the theater. Goodbye. I look down and say, with a heartache, an unwelcoming hello to the skinny jeans. A sadder hello to the sneakers and graphic tshirts. A miserable hello to the giggles that echoes the theater after a kiss.
Believe me, I understand the unfortunate reality of little funding and the diminishing number of tickets being sold. I understand that maybe the Chicago Shakespeare Theater is trying to appeal to the younger audience to boost their attendance level…but what’s going too far? I saw Romeo and Juliet and I wondered that. It’s probably the one Shakespeare work, in my opinion, that you can show in it’s original form and still be understood by today’s generation. It could have been the giggles escaping some girls when Romeo kissed Juliet, it could have been the costumes that seemed to be made by a fan of West Side Story and gay soft-core adult films, it could have been the unsettling accent of the actor playing Romeo or it could have been the way certain actors tried too hard to embody the puns. Whatever it was, it left a bitter taste in my mouth. I am planning on going to see it again and hope that at that time I will get to experience the Chicago Shakespeare Theater I came to love.
After some thought I realized that it wasn’t all that unfortunate. I did like Joy Farmer-Clary as a young carefree and in love, Juliet. I enjoyed Steve Haggard as Benvolio, whom I came to believe is to Romeo what Horatio is to Hamlet. Moreover, even with his over the top I’ll-show-you-that-this-is-a-pun-about-sex-by-doing-an-air-thrust, Ariel Shafir as Mercutio was also a pleasant to experience.
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